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Ladysmith Black Mambazo won their 5th Grammy Award this year making them the most decorated music act to hail from Africa. Since 1969, the group has carried a message of peace, love, and harmony in song and dance to music halls & theaters around the globe.

Throughout their illustrious career, Ladysmith Black Mambazo has recorded and performed with a “who’s who” in entertainment.

PAUL SIMON

Ladysmith’s most famous collaboration was with Paul Simon (who also performed at the Winspear Opera House). In the 80s, Simon recorded his masterpiece, Graceland, with Ladysmith Black Mambazo. Simon told the New York Times “I was following my musical instincts in wanting to work with people whose music I greatly admire.” The album was a critical and commercial success, opening American ears to African music.

DOLLY PARTON

The group has collaborated with the leading lady of country music on a couple of songs. In the 90s, Ladysmith appeared on Dolly’s album Treasures, on a cover of Cat Stevens’ “Peace Train”. The pair recorded together again in 2014 with “Knocking On Heaven’s Door”.

DAVE MATTHEWS

At a 2014 show at Carnegie Hall, Ladysmith Black Mambazo joined Dave Matthews on stage for a rousing rendition of “Diamonds on the Soles Of Her Shoes”.

SARAH MCLACHLAN

On their album, Long Walk to Freedom, Ladysmith Black Mambazo recorded with a multitude of artists including Sarah McLachlan. They performed the classic “Homeless” on Ellen.

MICHAEL JACKSON

While there’s no footage of The King of Pop and Ladysmith performing together, this is still pretty cool. In 1987, Ladysmith Black Mambazo was asked to perform on Michael Jackson’s movie, “Moonwalker”. The group agreed and they performed “The Moon Is Walking” over the end credits.

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Ladysmith Black Mambazo won their 5th Grammy Award this year making them the most decorated music act to hail from Africa. Since 1969, the group has carried a message of peace, love, and harmony in song and dance to music halls & theaters around the globe.

Throughout their illustrious career, Ladysmith Black Mambazo has recorded a performed with a “who’s who” in entertainment.

PAUL SIMON

Ladysmith’s most famous collaboration was with Paul Simon (who also performed at the Winspear Opera House). In the 80s, Simon recorded his masterpiece, Graceland, with Ladysmith Black Mambazo. Simon told the New York Times “I was following my musical instincts in wanting to work with people whose music I greatly admire.” The album was a critical and commercial success, opening American ears to African music.

DOLLY PARTON

The group has collaborated with the leading lady of country music on a couple of songs. In the 90s, Ladysmith appeared on Dolly’s album Treasures, on a cover of Cat Stevens’ “Peace Train”. The pair recorded together again in 2014 with “Knocking On Heaven’s Door”.

DAVE MATTHEWS

At a 2014 show at Carnegie Hall, Ladysmith Black Mambazo joined Dave Matthews on stage for a rousing rendition of “Diamonds on the Soles Of Her Shoes”.

SARAH MCLACHLAN

On their album, Long Walk to Freedom, Ladysmith Black Mambazo recorded with a multitude of artists including Sarah McLachlan. They performed the classic “Homeless” on Ellen.

MICHAEL JACKSON

While there’s no footage of The King of Pop and Ladysmith performing together, this is still pretty cool. In 1987, Ladysmith Black Mambazo was asked to perform on Michael Jackson’s movie, “Moonwalker”. The group agreed and they performed “The Moon Is Walking” over the end credits.

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Performance Hall Namesake Set Standard For Cultural Giving

The AT&T Performing Arts Center is mourning the loss of Margaret McDermott, who passed away today at age 106. Mrs. McDermott was a tireless civic leader, philanthropist and champion of both arts and education. She is the namesake of the Margaret McDermott Performance Hall in the Margot and Bill Winspear Opera House. Her gift of $3 million in 1998 was the catalyst for the fundraising drive to build the $360 million dollar AT&T Performing Arts Center.

“Margaret knew what a world-class performing arts center would mean to Dallas, and she put her resources behind that vision,” said Matrice Ellis-Kirk, chair of the AT&T Performing Arts Center Board of Directors. “Her gift gave the fundraising campaign credibility and soon other donations followed. I just can’t overstate how critical Margaret’s support was to the Center’s success.”

Born Margaret Milam, she was the society editor of The Dallas Morning News during the Great Depression, covering 1930s debutante balls and charity events. She married Eugene McDermott, cofounder of Geophysical Service Inc. which was to become Texas Instruments. In turn, the McDermotts used their fortune to support the city’s arts institutions, setting the standard for philanthropy in Dallas.

“Thanks to her family’s passion for the arts, which spans decades, Dallas is now recognized as a leading center of art, architecture and culture,” said Caren Prothro, a Lifetime Trustee of the Center’s Board of Directors. “From symphony and performance halls to graceful bridges over the Trinity, Margaret left an indelible stamp on Dallas.”

While Mrs. McDermott’s initial contribution jump-started the Center’s campaign, she and the McDermott Family Foundation continued to support the Center by providing a total of more than $10.5 million in funding. Additionally, Texas Instruments established a $5 million challenge grant in her honor to name the performance hall in the Winspear Opera House as a gift to her. The grant exceeded the challenge, raising $16 million.

The McDermott family and TI’s generosity also left the Dallas Arts District blessed with two of the world’s finest acoustic performance halls right next door to each other: Margaret McDermott Performance Hall in the Winspear Opera House and Eugene McDermott Concert Hall in the Morton H. Meyerson Symphony Center.

Read more about Margaret McDermott in The Dallas Morning News.

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AT&T Performing Arts Center and Dallas Theater Center jointly announced today an unprecedented new collaboration to coproduce the Broadway musical HAIRSPRAY which will be the first title on the AT&T Performing Arts Center’s Broadway Series 2018/2019 season. The smash hit musical comedy HAIRSPRAY will play 12 performances July 7 through July 15, 2018 at the Winspear Opera House in the downtown Dallas Arts District.

HAIRSPRAY will be included in the six-show 2018/2019 Broadway Series package which will be announced on Sunday, March 11, 2018. Visit attpac.org/hairspray for more information and to sign up for e-mail updates.

Dallas Theater Center season subscribers will have the option to add HAIRSPRAY to their season subscription package prior to public on-sale, which will be announced at a later date.

The 2007 movie musical adaptation of HAIRSPRAY is the 10th highest grossing movie musical of all time.

The 2016 live television special HAIRSPRAY LIVE! was watched by more than 9 million viewers and was nominated for seven primetime EMMY Awards.

HAIRSPRAY will be directed by Dallas Theater Center’s Associate Artistic Director Joel Ferrell (Frankenstein, Dreamgirls, Cabaret, The Rocky Horror Show). Local and New York casting of the production will be announced later.

The Broadway musical HAIRSPRAY is based on the New Line Cinema film written and directed by John Waters, orchestrations by Harold Wheeler and arrangements by March Shaiman. Book by Mark O’Donnell and Thomas Meehan and lyrics by Scott Wittman and Marc Shaiman. This production will be directed by Joel Ferrell with music direction by Vonda K. Bowling.

“Dallas Theater Center is so excited and pleased by this partnership as it will be beneficial to both organizations and our audiences,” said Jeff Woodward, DTC’s managing director. “HAIRSPRAY is a terrific, funny and timely American musical and is the perfect first venture for what we hope will be an annual collaboration.”

“This is an exciting and important step for us,” said Doug Curtis, president and CEO of AT&T Performing Arts Center. “This collaboration allows us to deepen and broaden the programming we do on our campus for North Texans to enjoy. Coming on the heels of Dallas Theater Center’s recent Tony Award for Best Regional Theatre, we couldn’t be more thrilled and proud to present HAIRSPRAY with them on our 2018/2019 Broadway season.”

The production is generously underwritten by Thompson & Knight Foundation, funded by the partners of Thompson & Knight, LLP.

About HAIRSPRAY
The original Broadway production of HAIRSPRAY ran for 2,642 performances from August 2002 to January 2009 making it the 22nd longest running show in Broadway history. HAIRSPRAY won eight 2013 TONY Awards including Best Musical and Best Original Score. National tours have been seen by more than 2 million people across North America.

Synopsis

You can’t stop the beat in this big and bold musical about one girl’s inspiring dream to dance.

The 1950s are out, and change is in the air! Hairspray, winner of eight Tony Awards, including Best Musical, is a family-friendly musical, piled bouffant-high with laughter, romance and deliriously tuneful songs.

It’s 1962 in Baltimore, and the lovable plus-size teen, Tracy Turnblad, has only one desire – to dance on the popular “Corny Collins Show.” When her dream comes true, Tracy is transformed from social outcast to sudden star. She must use her newfound power to dethrone the reigning Teen Queen, win the affections of heartthrob, Link Larkin, and integrate a TV network… all without denting her ‘do!

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Meet Anne Kogan, our Programming Manager who works tirelessly to bring entertainment to the Center that appeals to all of Dallas’ communities.

How long have you worked for the Center?

A year and a half, which is also how long I’ve lived in Dallas. I came to the Center the very first day I moved here and got to see some old friends, The Quebe Sisters, play in Strauss Square. I hadn’t even started work yet, but it was so wonderful to see some of my favorite music performed in a venue I was about to get to dig into booking.

What’s your favorite show/program/series to work on at the Center and why?

I mostly work with Center Presents shows – the single-night, touring acts. I love that it’s an opportunity to put together the puzzle of artists to bring to Dallas and to the Center, what kind of new projects are out there, and how to connect with a wide range of communities through performing arts.

Speaking of connecting with a wide range of communities through performing arts, you’re an ethnomusicologist. Can you tell us what that is?

Ethnomusicology is basically studying how communities use music and how it fits into their lives- taking an anthropological approach and using music as a lens to learn about a different community. Understanding that all forms of art are valid, dancing in your kitchen or dancing on a stage – it’s not always performer and audience based. Sometimes people claim to not be artists or musicians, but they dance and sing with their families. It’s a way of engaging with art in a way that enriches your life. So that’s influenced my daily thinking and my value system.

You’ve done this in different places around the world; What does someone like you aim to do in a city like Dallas?

We start with giving people an opportunity to experience something they haven’t before, and you can learn something new about a community here just by seeing a performer. But people should participate in art, and see themselves as active participants rather than just part of an audience. I want to break down those walls. It starts with getting different people on stage, so audiences can learn about people they coexist with but don’t often interact with. People can see art from other cultures as valid, bringing a more cosmopolitan and holistic array of experiences – democratizing it and removing some of the exoticism.

Is there an upcoming show you’re most excited about?

David Byrne because I’m personally a fan. But also Bill Murray, Rita Moreno… and everything else!

We have some shows coming up that are about taking down the walls that exist between genres: Cameron Carpenter combines rock and classical, then there’s Apocalyptica… I like to see how people engage with art that has no boxes.

Who’s your favorite performing artist overall, Center-related or not?

This is a trick question for a programmer. I have too many to pick just one, so I’ll just say that I’ve seen incredible big shows from artists like Beyonce, Dolly Parton, and Anohni, and they were each so powerful. But I love artists like Big Freedia who make you dance all night, or Rhiannon Giddens, whose songs and gorgeous voice make me cry every time.

What’s your favorite venue on our campus?

I love Strauss Square – it’s such a treat to be able to see a killer show under the stars. The Winspear is gorgeous, and the Wyly is a spectacular space, but there’s just something special about being outside at Strauss.

Strauss Square

Are you involved or connected to art or the performing arts outside of your work at the Center?

I’ve always played instruments or danced outside of work. Right now I take hip hop dance classes! But I don’t perform, it’s all just for my own enjoyment.

What’s the best thing about living in Dallas?

There’s always something to do, and people here are SO nice! The arts and food scenes are so much fun to explore. I love it here!

This is Dallas, so I have to ask who your favorite sports team is.

Sportball?

Favorite food truck?

Anything with bahn mi!

Finish this sentence: “When I’m not at the Center, you can find me…”

In dance classes or at a concert around town. Or eating at new restaurants!

What can we expect from the Center’s programming in the future?

Short answer: you’re going to see things diversify even more, not just in terms of racial and cultural equity, but different types of art forms, different types of engagement with art. We’ll also start to see more robust seasons where we have more activity than we have before, where there’s always something happening on campus. All of our spaces are being activated in many ways and it’s exciting.

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Applications Will Be Accepted Until 3/15

The nonprofit AT&T Performing Arts Center today announced that the online application period for the Moody Fund for the Arts grant process is now open and applications are being accepted at moodyartsfund.org until March 15, 2018.

MFA was created to provide grants to small and emerging Dallas arts groups that are supported by the City of Dallas Office of Cultural Affairs and have annual budgets of $1 million or less. In 2018, MFA will award $100,000 in grants. In this first year, the maximum grant for each award will not exceed $7,500.

Submissions will be reviewed through a two-tiered panel selection process which will include arts educators, administrators, advocates, philanthropists, a Cultural Affairs Commissioner and the director of the Office of Cultural Affairs. Grants awards will be announced in June 2018. Applicants can find new information on categories and scoring, including a judging rubric on the fund’s website.

MFA Grants may be awarded for:

  • Commissions of original works and artistic collaborations.
  • Support for new works, innovative programs and offsetting rent and production costs at Moody Performance Hall and other venues.
  • Programs, projects and exhibitions that address important issues of cultural equity and community access to the arts.
  • Programs that create and deliver cultural experiences to all parts of Dallas and the hosting of artist-in-residency programs.
  • Operating, staff and marketing support for new initiatives.
  • Support of capacity building.
  • Other projects deemed important to the vibrancy of the arts in the city.

The Moody Fund for the Arts is a $10 million endowment that is part of a $22 million gift from the Moody Foundation to the arts in Dallas, including a $12 million gift to the AT&T Performing Arts Center’s capital campaign. When fully vested, the endowment will award an estimated $400,000 annually. In recognition of the generosity of the Galveston-based Moody Foundation, the City of Dallas changed the name of Dallas City Performance Hall in the Dallas Arts District to Moody Performance Hall.

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Neiman Marcus Kids Night is what it sounds like: a night at the theatre for kids!

First, kids can see the show for free with our buy one, get one deal. When you buy tickets, the Kids Night will be marked as such – and you can add a free ticket to your order when you purchase a ticket for an adult. But a lot happens before the show too…

There are arts and crafts!

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You can meet the cast:

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And you can meet… other things.

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Learn more about the show…

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Take a red carpet photo!

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Tell us what you think.

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And for the parents…

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Here’s a video:

Our next Neiman Marcus Kids Night will be March 21 for The 20th Anniversary Tour of Riverdance, and you can click here for tickets.

Fine print: activities vary for each show. But we’ll keep you up to date via Facebook, Twitter, Instagram and e-mails.

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Applications Will Be Accepted Starting 2/20; Two Info Meetings Scheduled for This Week

The nonprofit AT&T Performing Arts Center today announced that the Moody Fund for the Arts website, moodyartsfund.org, is now live and contains information about the fund and the grant application process. Applications will be accepted online beginning February 20, 2018 until March 15, 2018.

Two public meetings will be held next week to discuss eligibility, timeline, and the application and review process. The meetings will include a presentation, Q&A, handouts, and light refreshments. Please RSVP by visiting TicketDFW.com.

Informational meetings:

Monday, January 8, 2018

  • Moody Performance Hall
  • 5:30 – 7:00 p.m.
  • 2520 Flora St., Dallas, TX 75201
  • Doors open at 5 p.m. Complimentary parking will be provided in Lexus Silver Parking, accessed on Jack Evans St. from Ross Ave.

Thursday, January 11, 2018

  • South Dallas Cultural Center
  • 9:30 – 11:00 a.m.
  • 3400 S. Fitzhugh Ave., Dallas, TX 75210
  • Doors open at 9 a.m. Complimentary parking is available on site.

MFA was created to provide grants to small and emerging Dallas arts groups that are supported by the City of Dallas Office of Cultural Affairs and have annual budgets of $1 million or less. In 2018, MFA will award $100,000 in grants. In this first year, the maximum grant for each award will not exceed $7,500.

Submissions will be reviewed through a two-tiered panel selection process which will include arts educators, managers, advocates, philanthropists, a Cultural Affairs Commissioner and the director of the Office of Cultural Affairs. Grants will be awarded in June 2018.

Grants may be awarded for:

  • Commissions of original works and artistic collaborations.
  • Support for new works, innovative programs and offsetting rent and production costs at Moody Performance Hall.
  • Programs, projects and exhibitions that address important issues of cultural equity and community access to the arts.
  • Programs that create and deliver cultural experiences to all parts of Dallas.
  • Operating, staff and marketing support for new initiatives.
  • Support of production costs and capacity building.
  • Hosting artist-in-residency programs.
  • Other projects deemed important to the vibrancy of the arts in the city.

Grants may not be used for:

  • Fundraising programs or events.
  • Political campaigns or lobbying efforts.
  • Nonpublic performances.
  • Direct support, including travel funds, for individuals or families.
  • Religious or faith-based organizations, unless the program does not promote a specific religion or faith and is not restricted to populations of specific religions or faiths.
  • Athletic teams and fraternal, veteran, social, alumni or labor organizations (university alumni groups, sororities/fraternities, labor unions, exclusive membership clubs, etc.)

The Moody Fund for the Arts is a $10 million endowment that is part of a $22 million gift from the Moody Foundation to the arts in Dallas, including a $12 million gift to the AT&T Performing Arts Center’s capital campaign. When fully vested, the endowment is expected to award about $400,000 annually. In recognition of the generosity of the Galveston-based Moody Foundation, the City of Dallas changed the name of Dallas City Performance Hall in the Dallas Arts District to Moody Performance Hall.

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APPLICATIONS ACCEPTED ONLINE THROUGH JANUARY

Program Provides Arts District Performance Space for Small and Emerging Dallas Arts Groups and Artists

The nonprofit AT&T Performing Arts Center has started its new online submission process for the Elevator Project 2018/2019 season. Applications will be accepted beginning today through Wednesday, January 31, 2018 online here. The Elevator Project is a program that presents small, emerging and/or culturally specific Dallas-based arts groups and artists in performance space on the Center’s campus in the Dallas Arts District. Applications can be submitted starting today at attpac.org/elevatorprojectapply.

Through the Elevator Project, the Center pays performers a negotiated fee to present their work. The current 2017/2018 season of eight shows includes American Baroque Opera Company, Dark Circles Contemporary Dance, Jake Nice, Bandan Koro African Drum & Dance Ensemble, Adam Adolfo, Soul Rep Theatre Company, Therefore Art & Performance Group and Cry Havoc Theater Company.

Most works are performed in Hamon Hall, a flexible performance space in the Winspear Opera House, or the Studio Theatre, a black box space on the sixth floor of the Wyly Theatre. However, artists are encouraged to consider creating work for other spaces on the Center’s campus such as Sammons Park, the donor reflecting pool, Sammons Community Stage, spaces within Strauss Square, the Brierley Esplanade in front of the Wyly Theatre and more. Center support includes venue management, operations, ticketing and promotion. Each annual season is now curated through a multi-level review and approval process that includes panels of arts professionals, educators, advocates, the Center and the City of Dallas Office of Cultural Affairs.

Submissions:

  • Participating artists and organizations must be based in the city of Dallas.
  • January 2 – 31, 2018: Applications will be accepted online here.
  • Priority will be given to submissions:
    - From arts groups and artists that help create a diverse season for Elevator Project.
    - For new, original and experimental work.
    - For works unique to the performance space.
    - For works designed to engage diverse audiences and geographic communities.
    - From artists and groups without an official performance venue or home.

Review and Selection:

  • Submissions will first be reviewed by the Elevator Project Advisory Panel, a group of 5 panelists jointly chosen by the Center and the Office of Cultural Affairs.
    - These panelists may include arts professionals from Dallas or other cities, arts educators and advocates.
    - The names of the panelists will remain confidential until the selections are announced.
    - No artist/group with a submission, or with an immediate family member or partner with a submission, can participate on the Advisory Panel.
  • The panelists will select and prioritize submissions.
  • The recommendations will then be reviewed by the Center, the Office of Cultural Affairs and the Chair of the Cultural Affairs Commission. They will make the final selections.
  • Center staff will take those recommendations and begin discussions with the artists/groups to establish the fee paid for each performance and secure the space and calendar.
  • Applicants who have participated in two consecutive seasons must take a year off before applying again.

Questions or requests for the technical specs for Elevator Project venues can be e-mailed to ElevatorProject@attpac.org.

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What an incredible year at the AT&T Performing Arts Center! From marvelous Broadway shows to jaw-dropping concerts, enlightening speakers to community-minded events – we hosted hundreds of performances in 2017. Below are a few of our staff’s personal highlights.

“As a Shakespeare nerd, theatre geek, and lover of goofy humor, it doesn’t get much better than Something Rotten! for me. Admittedly, a colleague and I were shushed by a nearby patron for laughing too hard during this show. It couldn’t be helped though. That medley at the end is pure comic gold.”
– Autumn Garrison, Associate Director of Education & Community Engagement

“Neil Gaiman was one of my faves. I liked how it seemed like he was just making it up as he went along, but it was never boring or awkward. You could feel everyone’s attention aimed right at him. It felt like being in a theatre on Star Wars opening night, but it was just one guy on a stage telling us stories.”
– Erik Bowers, Box Office Manager



Neil Gaiman

“Lila Downs at Strauss Square was the best concert of 2017. Strauss Square is a beautiful venue and was the perfect space for Lila. It was one of those perfect, Texas autumn nights and Ms. Downs was holding court. The show was vibrant, soulful, and at times it brought tears to the audiences’ eyes. Her powerful voice carried across the venue while Latin American artwork displayed on the screen behind her. At the end of her performance, everyone was standing out of their seats shouting praise and adoration at Lila Downs.”
– Chris McDonald, Marketing Manager



Lila Downs

“My highlight of 2017 was definitely our first-ever Neiman Marcus Kids Night on Broadway during Finding Neverland! I loved seeing the lobby filled with excited children and their families. I will never forget that sold-out performance hall with all the kids in their Peter Pan hats and with their Tinkerbell wands. The staff really came together to create an unforgettable experience for this audience. I was so proud to be part of it. It was my favorite day of work – ever.”
– Kathryn Cox, Group Sales Manager



Kids Night On Broadway

“Something Rotten! really made my year. I didn’t know much about the show, only that is was supposed to be about the making of the very first musical and that it was a comedy. The show blew me away! I had never laughed so much during a show! The music, costumes, acting and writing went way beyond my expectations!”
– Jessica Smith, Client Services Manager

“Neil Gaiman – Hearing him read his stories live was incredible! Click-Clack the Rattlebag will forever be one of my favorite spooky stories.”
– Natasha Porzikova, Social Media Coordinator

Here’s to an even better 2018!